Signo y memoria: El fragmento como forma artística y comunicativa
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Universidad de Medellín
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Este artículo demuestra cómo el collage (método artístico que combina imágenes y materiales de diferentes contextos), representa la idea de identidad usando signos como fragmentos derivados de la cultura y la geografía. Teorías sobre el signo y conceptos sobre memoria e identidad se interrelacionan en respuesta a situaciones críticas. El collage como una expresión artística del siglo XX muestra cómo identidad y memoria son concebidas a través del uso de signos culturales.
This article reaffirms how collage (artistic method, whereby materials and images are combined from different contexts), establishes a communication via signs that derive from associations with geography and culture. Drawing on multiple theories of signs, cultural memory and identity are interrelated in response to critical situations. Collage as an artistic expression of the twentieth century shows how identity and memory are conceived through the use of cultural signs.
This article reaffirms how collage (artistic method, whereby materials and images are combined from different contexts), establishes a communication via signs that derive from associations with geography and culture. Drawing on multiple theories of signs, cultural memory and identity are interrelated in response to critical situations. Collage as an artistic expression of the twentieth century shows how identity and memory are conceived through the use of cultural signs.
Palabras clave
identity, memory, sign, fragment, culture, location, global, local, geography, collage, painting, identidad, memoria, signo, fragmento, cultura, territorio, global, local, geografía, collage, pintura