El cuerpo como artefacto: tecnologías médicas, anatomopolítica y resistencia
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Universidad de Medellín
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En este artículo se defiende la tesis de que hay un giro importante en el biopoder anatomo-político de finales del siglo XX y comienzos del XXI. Este giro consiste en la aparición de diferentes tendencias culturales que comprenden el cuerpo humano como un artefacto que puede usarse para manifestar resistencia al poder. Para ello, estas tendencias se sirven de las tecnologías médicas como un medio para diseñar el cuerpo de acuerdo con una intención particular que permita cumplir cierta función elegida de antemano por quien identifica ese cuerpo como propio.
In this article, the thesis that there is an important change of direction in anatomy-politics bio-power of the end of XX century and beginning of XXI century is defended. This change of direction refers to the appearance of different cultural trends, which embodies the human body as an artifact that may be used to show resistance to power. For this, these trends use medical technologies as a means to design the agreement body with a specific intention which allows complying certain previously selected function by whom it identifies such a body as his/her own.
In this article, the thesis that there is an important change of direction in anatomy-politics bio-power of the end of XX century and beginning of XXI century is defended. This change of direction refers to the appearance of different cultural trends, which embodies the human body as an artifact that may be used to show resistance to power. For this, these trends use medical technologies as a means to design the agreement body with a specific intention which allows complying certain previously selected function by whom it identifies such a body as his/her own.
Palabras clave
human body, artifact, medical technologies, anatomy-policies resistance, queer theory, cuerpo humano, artefacto, tecnologías médicas, anatomopolítica, resistencia, teoría queer
